No human being should know my address. In a month or so I would return, the piece would have disappeared--would be forgotten. With courage, I might be able to forget it myself.
"I shall run it for three weeks," said Hodgson, "then we'll withdraw it quietly, 'owing to previous arrangements'; or Duncan can suddenly fall ill--she's done it often enough to suit herself; she can do it this once to suit me. Don't be upset. There's nothing to be ashamed of in the piece; indeed, there is a good deal that will be praised.
The idea is distinctly original. As a matter of fact, that's the fault with it," added Hodgson, "it's too original."
"You said you wanted it original," I reminded him.
He laughed. "Yes, but original for the stage, I meant--the old dolls in new frocks."
I thanked him for all his kindness, and went home and packed my knapsack.
For two months I wandered, avoiding beaten tracks, my only comrades a few books, belonging to no age, no country. My worries fell from me, the personal affairs of Paul Kelver ceasing to appear the be all and the end all of the universe. But for a chance meeting with Wellbourne, Deleglise's ******* caretaker of Gower Street fame, I should have delayed yet longer my return. It was in one of the dead cities of the Zuyder Zee. I was sitting under the lindens on the grass-grown quay, awaiting a slow, crawling boat that, four miles off, I watched a moving speck across the level pastures. I heard his footsteps in the empty market-place behind me, and turned my head. I did not rise, felt even no astonishment; anything might come to pass in that still land of dreams. He seated himself beside me with a nod, and for awhile we smoked in silence.
"All well with you?" I asked.
"I am afraid not," he answered; "the poor fellow is in great trouble."
"I'm not Wellbourne himself," he went on, in answer to my look; "I am only his spirit. Have you ever tested that belief the Hindoos hold: that a man may leave his body, wander at will for a certain period, remembering only to return ere the thread connecting him with flesh and blood be stretched to breaking point? It is quite correct. I often lock the door of my lodging, leave myself behind, wander a free Spirit."
He pulled from his pocket a handful of loose coins and looked at them.
"The thread that connects us, I am sorrow to say, is wearing somewhat thin," he sighed; "I shall have to be getting back to him before long--concern myself again with his troubles, follies. It is somewhat vexing. Life is really beautiful, when one is dead."
"What was the trouble?" I enquired.
"Haven't you heard?" he replied. "Tom died five weeks ago, quite suddenly, of syncope. We had none of us any idea."
So Norah was alone in the world. I rose to my feet. The slowly moving speck had grown into a thin, dark streak; minute by minute it took shape and form.
"By the way, I have to congratulate you," said Wellbourne. "Your opera looked like being a big thing when I left London. You didn't sell outright, I hope?"
"No," I answered. "Hodgson never expressed any desire to buy."
"Lucky for you," said Wellbourne.
I reached London the next evening. Passing the theatre on my way to Queen's Square, it occurred to me to stop my cab for a few minutes and look in.
I met the low comedian on his way to his dressing-room. He shook me warmly by the hand.
"Well," he said, "we're pulling them in. I was right, you see, Give me plenty of opportunity.' That's what I told you, didn't I? Come and see the piece. I think you will agree with me that I have done you justice."
I thanked him.
"Not at all," he returned; "it's a pleasure to work, when you've got something good to work on."
I paid my respects to the leading lady.
"I am so grateful to you," said the leading lady. "It is so delightful to play a real live woman, for a change."
The tenor was quite fatherly.
"It is what I have been telling Hodgson for years," he said, "give them a ****** human story."
Crossing the stage, I ran against Marmaduke Trevor.
"You will stay for my scene," he urged.
"Another night," I answered. "I have only just returned."
He sank his voice to a whisper. "I want to talk to you on business, when you have the time. I am thinking of taking a theatre myself--not just now, but later on. Of course, I don't want it to get about."
I assured him of my secrecy.
"If it comes off, I want you to write for me. You understand the public. We will talk it over."
He passed onward with stealthy tread.
I found Hodgson in the front of the house.