"Oh!" said the old man, "Madame de la Baudraye is still young; there is no time lost."This allusion made Lousteau smile; he did not understand Monsieur de la Baudraye.
"There, Didine!" said he in Dinah's ear, "what a waste of remorse!"Dinah begged him to give her one day more, and the lovers parted after the manner of certain theatres, which give ten last performances of a piece that is paying. And how many promises they made! How many solemn pledges did not Dinah exact and the unblushing journalist give her!
Dinah, with superiority of the Superior Woman, accompanied Lousteau, in the face of all the world, as far as Cosne, with her mother and little La Baudraye. When, ten days later, Madame de la Baudraye saw in her drawing-room at La Baudraye, Monsieur de Clagny, Gatien, and Gravier, she found an opportunity of saying to each in turn:
"I owe it to Monsieur Lousteau that I discovered that I had not been loved for my own sake."And what noble speeches she uttered, on man, on the nature of his feelings, on the end of his base passions, and so forth. Of Dinah's three worshipers, Monsieur de Clagny only said to her: "I love you, come what may"--and Dinah accepted him as her confidant, lavished on him all the marks of friendship which women can devise for the Gurths who are ready thus to wear the collar of gilded slavery.
In Paris once more, Lousteau had, in a few weeks, lost the impression of the happy time he had spent at the Chateau d'Anzy. This is why:
Lousteau lived by his pen.
In this century, especially since the triumph of the /bourgeoisie/--the commonplace, money-saving citizen--who takes good care not to imitate Francis I. or Louis XIV.--to live by the pen is a form of penal servitude to which a galley-slave would prefer death. To live by the pen means to create--to create to-day, and to-morrow, and incessantly--or to seem to create; and the imitation costs as dear as the reality. So, besides his daily contribution to a newspaper, which was like the stone of Sisyphus, and which came every Monday, crashing down on to the feather of his pen, Etienne worked for three or four literary magazines. Still, do not be alarmed; he put no artistic conscientiousness into his work. This man of Sancerre had a facility, a carelessness, if you call it so, which ranked him with those writers who are mere scriveners, literary hacks. In Paris, in our day, hack-work cuts a man off from every pretension to a literary position. When he can do no more, or no longer cares for advancement, the man who can write becomes a journalist and a hack.
The life he leads is not unpleasing. Blue-stockings, beginners in every walk of life, actresses at the outset or the close of a career, publishers and authors, all make much of these writers of the ready pen. Lousteau, a thorough man about town, lived at scarcely any expense beyond paying his rent. He had boxes at all the theatres; the sale of the books he reviewed or left unreviewed paid for his gloves;and he would say to those authors who published at their own expense, "I have your book always in my hands!" He took toll from vanity in the form of drawings or pictures. Every day had its engagements to dinner, every night its theatre, every morning was filled up with callers, visits, and lounging. His serial in the paper, two novels a year for weekly magazines, and his miscellaneous articles were the tax he paid for this easy-going life. And yet, to reach this position, Etienne had struggled for ten years.
At the present time, known to the literary world, liked for the good or the mischief he did with equally facile good humor, he let himself float with the stream, never caring for the future. He ruled a little set of newcomers, he had friendships--or rather, habits of fifteen years' standing, and men with whom he supped, and dined, and indulged his wit. He earned from seven to eight hundred francs a month, a sum which he found quite insufficient for the prodigality peculiar to the impecunious. Indeed, Lousteau found himself now just as hard up as when, on first appearing in Paris, he had said to himself, "If I had but five hundred francs a month, I should be rich!"The cause of this phenomenon was as follows: Lousteau lived in the Rue des Martyrs in pretty ground-floor rooms with a garden, and splendidly furnished. When he settled there in 1833 he had come to an agreement with an upholsterer that kept his pocket money low for a long time.
These rooms were let for twelve hundred francs. The months of January, April, July, and October were, as he phrased it, his indigent months.
The rent and the porter's account cleaned him out. Lousteau took no fewer hackney cabs, spend a hundred francs in breakfasts all the same, smoked thirty francs' worth of cigars, and could never refuse the mistress of a day a dinner or a new dress. He thus dipped so deeply into the fluctuating earnings of the following months, that he could no more find a hundred francs on his chimney-piece now, when he was ****** seven or eight hundred francs a month, than he could in 1822, when he was hardly getting two hundred.
Tired, sometimes, by the incessant vicissitudes of a literary life, and as much bored by amusement as a courtesan, Lousteau would get out of the tideway and sit on the bank, and say to one and another of his intimate allies--Nathan or Bixiou, as they sat smoking in his scrap of garden, looking out on an evergreen lawn as big as a dinner-table:
"What will be the end of us? White hairs are giving us respectful hints!""Lord! we shall marry when we choose to give as much thought to the matter as we give to a drama or a novel," said Nathan.
"And Florine?" retorted Bixiou.
"Oh, we all have a Florine," said Etienne, flinging away the end of his cigar and thinking of Madame Schontz.