Madame Graslin was at that instant under the observation of Grossetete, who was directly in front of her; but, in spite of his shrewdness, the old banker did not detect the hatred which Veronique felt for the magistrate, whom she nevertheless received at her house.
But churchmen have far more perception than other men, and Monsieur Dutheil suddenly startled Veronique with a priestly glance.
"Do you regret nothing in Limoges?" he asked her.
"Nothing, now that you are leaving it; and monsieur," she added, smiling at Grossetete, who was bidding her adieu, "will seldom be there."
The bishop accompanied Madame Graslin as far as Montegnac.
"I ought to walk this road in sackcloth and ashes," she said in her mother's ear as they went on foot up the steep slope of Saint-Leonard.
The old woman put her finger on her lips and glanced at the bishop, who was looking at the child with terrible attention. This gesture, and the luminous look in the prelate's eyes, sent a shudder through Veronique's body. At the aspect of the vast plains stretching their gray expanse before Montegnac the fire died out of her eyes, and an infinite sadness overcame her. Presently she saw the village rector coming to meet her, and together they returned to the carriage.
"There is your domain, madame," said Monsieur Bonnet, extending his hand toward the barren plain.
A few moments more, and the village of Montegnac, with its hill, on which the newly erected buildings struck the eye, came in sight, gilded by the setting sun, and full of the poesy born of the contrast between the beautiful spot and the surrounding barrenness, in which it lay like an oasis in the desert. Madame Graslin's eyes filled suddenly with tears. The rector called her attention to a broad white line like a gash on the mountain side.
"See what my parishioners have done to testify their gratitude to the lady of the manor," he said, pointing to the line, which was really a road; "we can now drive up to the chateau. This piece of road has been made by them without costing you a penny, and two months hence we shall plant it with trees. Monseigneur will understand what trouble and care and devotion were needed to accomplish such a change."
"Is it possible they have done that?" said the bishop.
"Without accepting any payment for their work, Monseigneur. The poorest put their hands into it, knowing that it would bring a mother among them."
At the foot of the hill the travellers saw the whole population of the neighborhood, who were lighting fire-boxes and discharging a few guns; then two of the prettiest of the village girls, dressed in white, came forward to offer Madame Graslin flowers and fruit.
"To be thus received in this village!" she exclaimed, grasping the rector's hand as if she stood on the brink of a precipice.
The crowd accompanied the carriage to the iron gates of the avenue.
From there Madame Graslin could see her chateau, of which as yet she had only caught glimpses, and she was thunderstruck at the magnificence of the building. Stone is rare in those parts, the granite of the mountains being difficult to quarry. The architect employed by Graslin to restore the house had used brick as the chief substance of this vast construction. This was rendered less costly by the fact that the forest of Montegnac furnished all the necessary wood and clay for its fabrication. The framework of wood and the stone for the foundations also came from the forest; otherwise the cost of the restorations would have been ruinous. The chief expenses had been those of transportation, labor, and salaries. Thus the money laid out was kept in the village, and greatly benefited it.
At first sight, and from a distance, the chateau presents an enormous red mass, threaded by black lines produced by the pointing, and edged with gray; for the window and door casings, the entablatures, corner stones, and courses between the stories, are of granite, cut in facets like a diamond. The courtyard, which forms a sloping oval like that of the Chateau de Versailles, is surrounded by brick walls divided into panels by projecting buttresses. At the foot of these walls are groups of rare shrubs, remarkable for the varied color of their greens. Two fine iron gates placed opposite to each other lead on one side to a terrace which overlooks Montegnac, on the other to the offices and a farm-house.
The grand entrance-gate, to which the road just constructed led, is flanked by two pretty lodges in the style of the sixteenth century.
The facade on the courtyard looking east has three towers,--one in the centre, separated from the two others by the main building of the house. The facade on the gardens, which is absolutely the same as the others, looks westward. The towers have but one window on the facade; the main building has three on either side of the middle tower. The latter, which is square like a /campanile/, the corners being vermiculated, is noticeable for the elegance of a few carvings sparsely distributed. Art is timid in the provinces, and though, since 1829, ornamentation has made some progress at the instigation of certain writers, landowners were at that period afraid of expenses which the lack of competition and skilled workmen rendered serious.