That for which humanity has the strongest claim upon its workmen, is the representation of its own best; but the loudest demand of the present day is for the representation of that grade of humanity of which men see the most--that type of things which could never have been but that it might pass.The demand marks the commonness, narrowness, low-levelled satisfaction of the age.It loves its own--not that which might be, and ought to be its own--not its better self, infinitely higher than its present, for the sake of whose approach it exists.I do not think that the age is worse in this respect than those which have preceded it, but that vulgarity, and a certain vile contentment swelling to self-admiration, have become more vocal than hitherto; just as unbelief, which I think in reality less prevailing than in former ages, has become largely more articulate, and thereby more loud and peremptory.But whatever the demand of the age, I insist that that which ought to be presented to its beholding, is the common good uncommonly developed, and that not because of its rarity, but because it is truer to humanity.Shall Iadmit those conditions, those facts, to be true exponents of humanity, which, except they be changed, purified, or abandoned, must soon cause that humanity to cease from its very name, must destroy its very being? To make the admission would be to assert that a house may be divided against itself, and yet stand.It is the noble, not the failure from the noble, that is the true human;and if I must show the failure, let it ever be with an eye to the final possible, yea, imperative, success.But in our day, a man who will accept any oddity of idiosyncratic development in manners, tastes, or habits, will refuse, not only as improbable, but as inconsistent with human nature, the representation of a man trying to be merely as noble as is absolutely essential to his being--except, indeed, he be at the same time represented as failing utterly in the attempt, and compelled to fall back upon the imperfections of humanity, and acknowledge them as its laws.Its improbability, judged by the experience of most men I admit; its unreality in fact I deny; and its absolute unity with the true idea of humanity, I believe and assert.
It is hardly necessary for me now to remark, seeing my narrative must already have suggested it, that what kept Gibbie pure and honest was the rarely-developed, ever-active love of his kind.The human face was the one attraction to him in the universe.In deep fact, it is so to everyone; I state but the commonest reality in creation; only in Gibbie the fact had come to the surface; the common thing was his in uncommon degree and potency.Gibbie knew no music except the voice of man and woman; at least no other had as yet affected him.To be sure he had never heard much.Drunken sea-songs he heard every night almost; and now and then on Sundays he ran through a zone of psalm-singing; but neither of those could well be called music.There hung a caged bird here and there at a door in the poorer streets; but Gibbie's love embraced the lower creation also, and too tenderly for the enjoyment of its melody.
The human bird loved liberty too dearly to gather anything but pain from the song of the little feathered brother who had lost it, and to whom he could not minister as to the drunkard.In general he ran from the presence of such a prisoner.But sometimes he would stop and try to comfort the naked little Freedom, disrobed of its space;and on one occasion was caught in the very act of delivering a canary that hung outside a little shop.Any other than wee Gibbie would have been heartily cuffed for the offence, but the owner of the bird only smiled at the would-be liberator, and hung the cage a couple of feet higher on the wall.With such a passion of affection, then, finding vent in constant action, is it any wonder Gibbie's heart and hands should be too full for evil to occupy them even a little?
One night in the spring, entering Lucky Croale's common room, he saw there for the first time a negro sailor, whom the rest called Sambo, and was at once taken with his big, dark, radiant eyes, and his white teeth continually uncovering themselves in good-humoured smiles.Sambo had left the vessel in which he had arrived, was waiting for another, and had taken up his quarters at Lucky Croale's.Gibbie's advances he met instantly, and in a few days a strong mutual affection had sprung up between them.To Gibbie Sambo speedily became absolutely loving and tender, and Gibbie made him full return of devotion.
The negro was a man of immense muscular power, like not a few of his race, and, like most of them, not easily provoked, inheriting not a little of their hard-learned long-suffering.He bore even with those who treated him with far worse than the ordinary superciliousness of white to black; and when the rudest of city boys mocked him, only showed his teeth by way of smile.The ill-conditioned among Lucky Croale's customers and lodgers were constantly taking advantage of his good nature, and presuming upon his forbearance; but so long as they confined themselves to mere insolence, or even bare-faced cheating, he endured with marvellous temper.It was possible, however, to go too far even with him.