When these repetitions annoy me, and that I examine it a little nearer, I find 'tis no other but a grammatical and word complaint; I am only wounded with the word and tone, as the exclamations of preachers very often work more upon their auditory than their reasons, and as the pitiful eyes of a beast killed for our service; without my weighing or penetrating meanwhile into the true and solid essence of my subject:
"His se stimulis dolor ipse lacessit."
["With these incitements grief provokes itself."--Lucretius, ii. 42.]
These are the foundations of our mourning.
The obstinacy of my stone to all remedies especially those in my bladder, has sometimes thrown me into so long suppressions of urine for three or four days together, and so near death, that it had been folly to have hoped to evade it, and it was much rather to have been desired, considering the miseries I endure in those cruel fits. Oh, that good emperor, who caused criminals to be tied that they might die for want of urination, was a great master in the hangman's' science! Finding myself in this condition, I considered by how many light causes and objects imagination nourished in me the regret of life; of what atoms the weight and difficulty of this dislodging was composed in my soul; to how many idle and frivolous thoughts we give way in so great an affair; a dog, a horse, a book, a glass, and what not, were considered in my loss; to others their ambitious hopes, their money, their knowledge, not less foolish considerations in my opinion than mine. I look upon death carelessly when I look upon it universally as the end of life. I insult over it in gross, but in detail it domineers over me: the tears of a footman, the disposing of my clothes, the touch of a friendly hand, a common consolation, discourages and softens me. So do the complaints in tragedies agitate our souls with grief; and the regrets of Dido and Ariadne, impassionate even those who believe them not in Virgil and Catullus. 'Tis a symptom of an obstinate and obdurate nature to be sensible of no emotion, as 'tis reported for a miracle of Polemon; but then he did not so much as alter his countenance at the biting of a mad dog that tore away the calf of his leg; and no wisdom proceeds so far as to conceive so vivid and entire a cause of sorrow, by judgment that it does not suffer increase by its presence, when the eyes and ears have their share; parts that are not to be moved but by vain accidents.
Is it reason that even the arts themselves should make an advantage of our natural stupidity and weakness? An orator, says rhetoric in the farce of his pleading, shall be moved with the sound of his own voice and feigned emotions, and suffer himself to be imposed upon by the passion he represents; he will imprint in himself a true and real grief, by means of the part he plays, to transmit it to the judges, who are yet less concerned than he: as they do who are hired at funerals to assist in the ceremony of sorrow, who sell their tears and mourning by weight and measure; for although they act in a borrowed form, nevertheless, by habituating and settling their countenances to the occasion, 'tis most certain they often are really affected with an actual sorrow. I was one, amongst several others of his friends, who conveyed the body of Monsieur de Grammont to Spissons from the siege of La Fere, where he was slain;