书城公版OUR MUTUAL FRIEND
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第55章 Chapter 11 PODSNAPPERY(1)

Mr Podsnap was well to do, and stood very high in Mr Podsnap's opinion. Beginning with a good inheritance, he had married a good inheritance, and had thriven exceedingly in the Marine Insurance way, and was quite satisfied. He never could make out why everybody was not quite satisfied, and he felt conscious that he set a brilliant social example in being particularly well satisfied with most things, and, above all other things, with himself.

Thus happily acquainted with his own merit and importance, Mr Podsnap settled that whatever he put behind him he put out of existence. There was a dignified conclusiveness--not to add a grand convenience--in this way of getting rid of disagreeables which had done much towards establishing Mr Podsnap in his lofty place in Mr Podsnap's satisfaction. 'I don't want to know about it; I don't choose to discuss it; I don't admit it!' Mr Podsnap had even acquired a peculiar flourish of his right arm in often clearing the world of its most difficult problems, by sweeping them behind him (and consequently sheer away) with those words and a flushed face. For they affronted him.

Mr Podsnap's world was not a very large world, morally; no, nor even geographically: seeing that although his business was sustained upon commerce with other countries, he considered other countries, with that important reservation, a mistake, and of their manners and customs would conclusively observe, 'Not English!' when, PRESTO! with a flourish of the arm, and a flush of the face, they were swept away. Elsewhere, the world got up at eight, shaved close at a quarter-past, breakfasted at nine, went to the City at ten, came home at half-past five, and dined at seven. Mr Podsnap's notions of the Arts in their integrity might have been stated thus. Literature; large print, respectfully descriptive of getting up at eight, shaving close at a quarter past, breakfasting at nine, going to the City at ten, coming home at half-past five, and dining at seven. Painting and Sculpture; models and portraits representing Professors of getting up at eight, shaving close at a quarter past, breakfasting at nine, going to the City at ten, coming home at half-past five, and dining at seven. Music; a respectable performance (without variations) on stringed and wind instruments, sedately expressive of getting up at eight, shaving close at a quarter past, breakfasting at nine, going to the City at ten, coming home at half-past five, and dining at seven. Nothing else to be permitted to those same vagrants the Arts, on pain of excommunication. Nothing else To Be--anywhere!

As a so eminently respectable man, Mr Podsnap was sensible of its being required of him to take Providence under his protection.

Consequently he always knew exactly what Providence meant.

Inferior and less respectable men might fall short of that mark, but Mr Podsnap was always up to it. And it was very remarkable (and must have been very comfortable) that what Providence meant, was invariably what Mr Podsnap meant.

These may be said to have been the articles of a faith and school which the present chapter takes the liberty of calling, after its representative man, Podsnappery. They were confined within close bounds, as Mr Podsnap's own head was confined by his shirt-collar; and they were enunciated with a sounding pomp that smacked of the creaking of Mr Podsnap's own boots.

There was a Miss Podsnap. And this young rocking-horse was being trained in her mother's art of prancing in a stately manner without ever getting on. But the high parental action was not yet imparted to her, and in truth she was but an undersized damsel, with high shoulders, low spirits, chilled elbows, and a rasped surface of nose, who seemed to take occasional frosty peeps out of childhood into womanhood, and to shrink back again, overcome by her mother's head-dress and her father from head to foot--crushed by the mere dead-weight of Podsnappery.

A certain institution in Mr Podsnap's mind which he called 'the young person' may be considered to have been embodied in Miss Podsnap, his daughter. It was an inconvenient and exacting institution, as requiring everything in the universe to be filed down and fitted to it. The question about everything was, would it bring a blush into the cheek of the young person? And the inconvenience of the young person was, that, according to Mr Podsnap, she seemed always liable to burst into blushes when there was no need at all. There appeared to be no line of demarcation between the young person's excessive innocence, and another person's guiltiest knowledge. Take Mr Podsnap's word for it, and the soberest tints of drab, white, lilac, and grey, were all flaming red to this troublesome Bull of a young person.

The Podsnaps lived in a shady angle adjoining Portman Square.

They were a kind of people certain to dwell in the shade, wherever they dwelt. Miss Podsnap's life had been, from her first appearance on this planet, altogether of a shady order; for, Mr Podsnap's young person was likely to get little good out of association with other young persons, and had therefore been restricted to companionship with not very congenial older persons, and with massive furniture. Miss Podsnap's early views of life being principally derived from the reflections of it in her father's boots, and in the walnut and rosewood tables of the dim drawing-rooms, and in their swarthy giants of looking-glasses, were of a sombre cast; and it was not wonderful that now, when she was on most days solemnly tooled through the Park by the side of her mother in a great tall custard-coloured phaeton, she showed above the apron of that vehicle like a dejected young person sitting up in bed to take a startled look at things in general, and very strongly desiring to get her head under the counterpane again.

Said Mr Podsnap to Mrs Podsnap, 'Georgiana is almost eighteen.'

Said Mrs Podsnap to Mr Podsnap, assenting, 'Almost eighteen.'