'I don't know how long ago it was done, whether weeks, days, or hours. No matter. There is inquiry on foot, and pursuit. Say! Is there not?'
'Yes.'
'Check it; divert it! Don't let her be brought in question. Shield her. The guilty man, brought to justice, would poison her name.
Let the guilty man go unpunished. Lizzie and my reparation before all! Promise me!'
'Eugene, I do. I promise you!'
In the act of turning his eyes gratefully towards his friend, he wandered away. His eyes stood still, and settled into that former intent unmeaning stare.
Hours and hours, days and nights, he remained in this same condition. There were times when he would calmly speak to his friend after a long period of unconsciousness, and would say he was better, and would ask for something. Before it could he given him, he would be gone again.
The dolls' dressmaker, all softened compassion now, watched him with an earnestness that never relaxed. She would regularly change the ice, or the cooling spirit, on his head, and would keep her ear at the pillow betweenwhiles, listening for any faint words that fell from him in his wanderings. It was amazing through how many hours at a time she would remain beside him, in a crouching attitude, attentive to his slightest moan. As he could not move a hand, he could make no sign of distress; but, through this close watching (if through no secret sympathy or power) the little creature attained an understanding of him that Lightwood did not possess. Mortimer would often turn to her, as if she were an interpreter between this sentient world and the insensible man; and she would change the dressing of a wound, or ease a ligature, or turn his face, or alter the pressure of the bedclothes on him, with an absolute certainty of doing right. The natural lightness and delicacy of touch which had become very refined by practice in her miniature work, no doubt was involved in this; but her perception was at least as fine.
The one word, Lizzie, he muttered millions of times. In a certain phase of his distressful state, which was the worst to those who tended him, he would roll his head upon the pillow, incessantly repeating the name in a hurried and impatient manner, with the misery of a disturbed mind, and the monotony of a machine.
Equally, when he lay still and staring, he would repeat it for hours without cessation, but then, always in a tone of subdued warning and horror. Her presence and her touch upon his breast or face would often stop this, and then they learned to expect that he would for some time remain still, with his eyes closed, and that he would be conscious on opening them. But, the heavy disappointment of their hope--revived by the welcome silence of the room--was, that his spirit would glide away again and be lost, in the moment of their joy that it was there.
This frequent rising of a drowning man from the deep, to sink again, was dreadful to the beholders. But, gradually the change stole upon him that it became dreadful to himself. His desire to impart something that was on his mind, his unspeakable yearning to have speech with his friend and make a communication to him, so troubled him when he recovered consciousness, that its term was thereby shortened. As the man rising from the deep would disappear the sooner for fighting with the water, so he in his desperate struggle went down again.
One afternoon when he had been lying still, and Lizzie, unrecognized, had just stolen out of the room to pursue her occupation, he uttered Lightwood's name.
'My dear Eugene, I am here.'
'How long is this to last, Mortimer?'
Lightwood shook his head. 'Still, Eugene, you are no worse than you were.'
'But I know there's no hope. Yet I pray it may last long enough for you to do me one last service, and for me to do one last action.
Keep me here a few moments, Mortimer. Try, try!'
His friend gave him what aid he could, and encouraged him to believe that he was more composed, though even then his eyes were losing the expression they so rarely recovered.
'Hold me here, dear fellow, if you can. Stop my wandering away.
I am going!'
'Not yet, not yet. Tell me, dear Eugene, what is it I shall do?'
'Keep me here for only a single minute. I am going away again.
Don't let me go. Hear me speak first. Stop me--stop me!'
'My poor Eugene, try to be calm.'
'I do try. I try so hard. If you only knew how hard! Don't let me wander till I have spoken. Give me a little more wine.'
Lightwood complied. Eugene, with a most pathetic struggle against the unconsciousness that was coming over him, and with a look of appeal that affected his friend profoundly, said:
'You can leave me with Jenny, while you speak to her and tell her what I beseech of her. You can leave me with Jenny, while you are gone. There's not much for you to do. You won't be long away.'
'No, no, no. But tell me what it is that I shall do, Eugene!'
'I am going! You can't hold me.'
'Tell me in a word, Eugene!'
His eyes were fixed again, and the only word that came from his lips was the word millions of times repeated. Lizzie, Lizzie, Lizzie.
But, the watchful little dressmaker had been vigilant as ever in her watch, and she now came up and touched Lightwood's arm as he looked down at his friend, despairingly.
'Hush!' she said, with her finger on her lips. 'His eyes are closing.
He'll be conscious when he next opens them. Shall I give you a leading word to say to him?'
'O Jenny, if you could only give me the right word!'
'I can. Stoop down.'
He stooped, and she whispered in his ear. She whispered in his ear one short word of a single syllable. Lightwood started, and looked at her.
'Try it,' said the little creature, with an excited and exultant face.
She then bent over the unconscious man, and, for the first time, kissed him on the cheek, and kissed the poor maimed hand that was nearest to her. Then, she withdrew to the foot of the bed.
Some two hours afterwards, Mortimer Lightwood saw his consciousness come back, and instantly, but very tranquilly, bent over him.
'Don't speak, Eugene. Do no more than look at me, and listen to me. You follow what I say.'