书城公版The Enchanted Typewriter
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第22章 VIII A HAND-BOOK TO HADES(1)

"Boswell," said I, the other night, as the machine began to click nervously. "I have just received a letter from an unknown friend in Hawaii who wants to know how the prize-fight between Samson and Goliath came out that time when Kidd and his pirate crew stole the House-Boat on the Styx."

"Just wait a minute, please," the machine responded. "I am very busy just now mapping out the itinerary of the first series of the Boswell Personally Conducted Tours you suggested some time ago. I laid that whole proposition before the Entertainment Committee of the Associated Shades, and they have resolved unanimously to charter the Ex-Great Eastern from the Styx Navigation Company, and return to the scenes of their former glory, devoting a year to it."

"Going to take their wives?" I asked.

"I don't know," Boswell replied. "That is a matter outside of the jurisdiction of the committee and must be decided by a full vote of the club. I hope they will, however. As manager of the enterprise I need assistance, and there are some of the men who can't be managed by anybody except their wives, or mothers-in-law, anyhow. I'll be through in a few minutes. Meanwhile let me hand you the latest product of the Boswell press."

With this the genial spirit produced from an invisible pocket a red-covered book bearing the delicious title of "Baedeker's Hades: A Hand-book for Travellers," which has entirely superseded, according to the advertisement on the fly-leaves, such books as Virgil and Dante's Inferno as the best guide to the lower regions, as well it might, for it appeared on perusal to have been prepared with as much care as one of the more material guide-books of the same publisher, which so greatly assist travellers on this side of the Stygian River.

Some time, if Boswell will permit, I shall endeavor to have this little volume published in this country since it contains many valuable hints to the man of a roving disposition, or for the stay-at-home, for that matter, for all roads lead to Hades. For instance, we do not find in previous guide-books, like Dante's Inferno, any references whatsoever to the languages it is well to know before taking the Stygian tour; to the kind of money needed, or its quantity per capita; no allusion to the necessity of passports is found in Dante or Virgil; custom-house requirements are ignored by these authors; no statements as to the kind of clothing needed, the quality of the hotels--nor indeed any real information of vital importance to the traveller is to be found in the older books. In Baedeker's Hades, on the other hand, all these subjects are exhaustively treated, together with a very comprehensive series of chapters on "Stygian Wines," "Climate," and "Hellish Art"--the expression is not mine--and other topics of essential interest.

And of what suggestive quality was this little book. Who would ever have guessed from a perusal of Dante that as Hades is the place of departed spirits so also is it the ultimate resting-place of all other departed things. What delightful anticipations are there in the idea of a visit to the Alexandrian library, now suitably housed on the south side of Apollyon Square, Cimmeria, in a building that would drive the trustees of the Boston Public Library into envious despair, even though living Bacchantes are found daily improving their minds in the recesses of its commodious alcoves! What joyous feelings it gives one to think of visiting the navy-yards of Tyre and finding there the ships concerning the whereabouts of which poets have vainly asked questions for ages! Who would ever dream that the question of the balladist, himself an able dreamer concerning classic things, "Where are the Cities of Old Time," could ever find its answer in a ****** guide-book telling us where Carthage is, where Troy and all the lost cities of antiquity!

Then the details of amusements in this wonderful country--who could gather aught of these from the Italian poet? The theatres of Gehenna, with "Hamlet" produced under the joint direction of Shakespeare and the Prince of Denmark himself, the great Zoo of Sheolia, with Jumbo, and the famous woolly horse of earlier days, not to mention the long series of menageries which have passed over the dark river in the ages now forgotten; the hanging gardens of Babylon, where the picnicking element of Hades flock week after week, chuting the chutes, and clambering joyously in and out of the Trojan Horse, now set up in all its majesty therein, with bowling-alleys on its roof, elevators in its legs, and the original Ferris-wheel in its head; the freak museums in the densely populated sections of the large cities, where Hop o' my Thumb and Jack the Giant Killer are exhibited day after day alongside of the great ogres they have killed; the opera-house, with Siegfried himself singing, supported by the real Brunhild and the original, bona fide dragon Fafnir, running of his own motive power, and breathing actual fire and smoke without the aid of a steam-engine and a plumber to connect him therewith before he can go out upon the stage to engage Siegfried in deadly combat.

For the information contained in this last item alone, even if the book had no other virtue, it would be worthy of careful perusal from the opening paragraph on language, to the last, dealing with the descent into the Vitriol Reservoir at Gehenna.