The chair into which the young man had slipped was close to a chapel placed between two columns and closed by an iron railing. It was customary for the chapter to lease at a handsome price to seignorial families, and even to rich burghers, the right to be present at the services, themselves and their servants exclusively, in the various lateral chapels of the long side-aisles of the cathedral. This simony is in practice to the present day. A woman had her chapel as she now has her opera-box. The families who hired these privileged places were required to decorate the altar of the chapel thus conceded to them, and each made it their pride to adorn their own sumptuously,--a vanity which the Church did not rebuke. In this particular chapel a lady was kneeling close to the railing on a handsome rug of red velvet with gold tassels, precisely opposite to the seat vacated of the burgher. A silver-gilt lamp, hanging from the vaulted ceiling of the chapel before an altar magnificently decorated, cast its pale light upon a prayer-book held by the lady. The book trembled violently in her hand when the young man approached her.
"A-men!"
To that response, sung in a sweet low voice which was painfully agitated, though happily lost in the general clamor, she added rapidly in a whisper:--
"You will ruin me."
The words were said in a tone of innocence which a man of any delicacy ought to have obeyed; they went to the heart and pierced it. But the stranger, carried away, no doubt, by one of those paroxysms of passion which stifle conscience, remained in his chair and raised his head slightly that he might look into the chapel.
"He sleeps!" he replied, in so low a voice that the words could be heard by the young woman only, as sound is heard in its echo.
The lady turned pale; her furtive glance left for a moment the vellum page of the prayer-book and turned to the old man whom the young man had designated. What terrible complicity was in that glance? When the young woman had cautiously examined the old seigneur, she drew a long breath and raised her forehead, adorned with a precious jewel, toward a picture of the Virgin; that ****** movement, that attitude, the moistened glance, revealed her life with imprudent *****te; had she been wicked, she would certainly have dissimulated. The personage who thus alarmed the lovers was a little old man, hunchbacked, nearly bald, savage in expression, and wearing a long and discolored white beard cut in a fan-tail. The cross of Saint-Michel glittered on his breast; his coarse, strong hands, covered with gray hairs, which had been clasped, had now dropped slightly apart in the slumber to which he had imprudently yielded. The right hand seemed about to fall upon his dagger, the hilt of which was in the form of an iron shell. By the manner in which he had placed the weapon, this hilt was directly under his hand; if, unfortunately, the hand touched the iron, he would wake, no doubt, instantly, and glance at his wife. His sardonic lips, his pointed chin aggressively pushed forward, presented the characteristic signs of a malignant spirit, a sagacity coldly cruel, that would surely enable him to divine all because he suspected everything. His yellow forehead was wrinkled like those of men whose habit it is to believe nothing, to weigh all things, and who, like misers chinking their gold, search out the meaning and the value of human actions. His bodily frame, though deformed, was bony and solid, and seemed both vigorous and excitable; in short, you might have thought him a stunted ogre. Consequently, an inevitable danger awaited the young lady whenever this terrible seigneur woke. That jealous husband would surely not fail to see the difference between a worthy old burgher who gave him no umbrage, and the new-comer, young, slender, and elegant.
"Libera nos a malo," she said, endeavoring to make the young man comprehend her fears.
The latter raised his head and looked at her. Tears were in his eyes; tears of love and of despair. At sight of them the lady trembled and betrayed herself. Both had, no doubt, long resisted and could resist no longer a love increasing day by day through invincible obstacles, nurtured by terror, strengthened by youth. The lady was moderately handsome; but her pallid skin told of secret sufferings that made her interesting. She had, moreover, an elegant figure, and the finest hair in the world. Guarded by a tiger, she risked her life in whispering a word, accepting a look, and permitting a mere pressure of the hand.
Love may never have been more deeply felt than in those hearts, never more delightfully enjoyed, but certainly no passion was ever more perilous. It was easy to divine that to these two beings air, sound, foot-falls, etc., things indifferent to other men, presented hidden qualities, peculiar properties which they distinguished. Perhaps their love made them find faithful interpreters in the icy hands of the old priest to whom they confessed their sins, and from whom they received the Host at the holy table. Love profound! love gashed into the soul like a scar upon the body which we carry through life! When these two young people looked at each other, the woman seemed to say to her lover, "Let us love each other and die!" To which the young knight answered, "Let us love each other and not die." In reply, she showed him a sign her old duenna and two pages. The duenna slept; the pages were young and seemingly careless of what might happen, either of good or evil, to their masters.
"Do not be frightened as you leave the church; let yourself be managed."
The young nobleman had scarcely said these words in a low voice, when the hand of the old seigneur dropped upon the hilt of his dagger.