Scattered farms, with square, unpainted houses, and long, thatched barns, began to creep over the hills toward the river. There was a hamlet, called St. Charles, with a rude little church and a campanile of logs. The cure, robed in decent black and wearing a tall silk hat of the vintage of 1860, sat on the veranda of his trim presbytery, looking down upon us, like an image of propriety smiling at Bohemianism. Other craft appeared on the river. A man and his wife paddling an old dugout, with half a dozen children packed in amidships a crew of lumbermen, in a sharp-nosed bateau, picking up stray logs along the banks; a couple of boatloads of young people returning merrily from a holiday visit; a party of berry-pickers in a flat-bottomed skiff; all the life of the country-side was in evidence on the river. We felt quite as if we had been "in the swim" of society, when at length we reached the point where the Riviere des Aunes came tumbling down a hundred-foot ladder of broken black rocks. There we pitched our tents in a strip of meadow by the water-side, where we could have the sound of the falls for a slumber-song all night and the whole river for a bath at sunrise.
