"There, there--that will do.I know I am all right now, because you have read it just as I did, word, for word.But, stranger, when I first read it this morning, I said to myself, I never, never believed it before, notwithstanding my friends kept me under watch so strict, but now Ibelieve I am crazy; and with that I fetched a howl that you might have heard two miles, and started out to kill somebody--because, you know, I knew it would come to that sooner or later, and so I might as well begin.I read one of them paragraphs over again, so as to be certain, and then I burned my house down and started.I have crippled several people, and have got one fellow up a tree, where I can get him if I want him.But I thought I would call in here as I passed along and make the thing perfectly certain; and now it is certain, and I tell you it is lucky for the chap that is in the tree.I should have killed him sure, as I went back.Good-by, sir, good-by; you have taken a great load off my mind.My reason has stood the strain of one of your agricultural articles, and I know that nothing can ever unseat it now.Good-by, sir."I felt a little uncomfortable about the cripplings and arsons this person had been entertaining himself with, for I could not help feeling remotely accessory to them.But these thoughts were quickly banished, for the regular editor walked in! [I thought to myself, Now if you had gone to Egypt as I recommended you to, I might have had a chance to get my hand in; but you wouldn't do it, and here you are.I sort of expected you.]
The editor was looking sad and perplexed and dejected.
He surveyed the wreck which that old rioter and those two young farmers had made, and then said "This is a sad business--a very sad business.
There is the mucilage-bottle broken, and six panes of glass, and a spittoon, and two candlesticks.But that is not the worst.The reputation of the paper is injured--and permanently, I fear.True, there never was such a call for the paper before, and it never sold such a large edition or soared to such celebrity; but does one want to be famous for lunacy, and prosper upon the infirmities of his mind? My friend, as I am an honest man, the street out here is full of people, and others are roosting on the fences, waiting to get a glimpse of you, because they think you are crazy.And well they might after reading your editorials.
They are a disgrace to journalism.Why, what put it into your head that you could edit a paper of this nature? You do not seem to know the first rudiments of agriculture.You speak of a furrow and a harrow as being the same thing; you talk of the moulting season for cows; and you recommend the domestication of the pole-cat on account of its playfulness and its excellence as a ratter! Your remark that clams will lie quiet if music be played to them was superfluous--entirely superfluous.Nothing disturbs clams.Clams always lie quiet.Clams care nothing whatever about music.Ah, heavens and earth, friend! if you had made the acquiring of ignorance the study of your life, you could not have graduated with higher honor than you could to-day.I never saw anything like it.Your observation that the horse-chestnut as an article of commerce is steadily gaining in favor is simply calculated to destroy this journal.I want you to throw up your situation and go.I want no more holiday--I could not enjoy it if I had it.Certainly not with you in my chair.I would always stand in dread of what you might be going to recommend next.It makes me lose all patience every time I think of your discussing oyster-beds under the head of 'Landscape Gardening.' I want you to go.Nothing on earth could persuade me to take another holiday.
Oh! why didn't you tell me you didn't know anything about agriculture?""Tell you, you corn-stalk, you cabbage, you son of a cauliflower? It's the first time I ever heard such an unfeeling remark.I tell you I have been in the editorial business going on fourteen years, and it is the first time I ever heard of a man's having to know anything in order to edit a newspaper.You turnip! Who write the dramatic critiques for the second-rate papers? Why, a parcel of promoted shoemakers and apprentice apothecaries, who know just as much about good acting as I do about good farming and no more.Who review the books? People who never wrote one.
Who do up the heavy leaders on finance? Parties who have had the largest opportunities for knowing nothing about it.Who criticize the Indian campaigns? Gentlemen who do not know a war-whoop from a wigwam, and who never have had to run a foot-race with a tomahawk, or pluck arrows out of the several members of their families to build the evening camp-fire with.Who write the temperance appeals, and clamor about the flowing bowl? Folks who will never draw another sober breath till they do it in the grave.Who edit the agricultural papers, you--yam? Men, as a general thing, who fail in the poetry line, yellow-colored novel line, sensation, drama line, city-editor line, and finally fall back on agriculture as a temporary reprieve from the poorhouse.You try to tell me anything about the newspaper business! Sir, I have been through it from Alpha to Omaha, and I tell you that the less a man knows the bigger the noise he makes and the higher the salary he commands.Heaven knows if I had but been ignorant instead of cultivated, and impudent instead of diffident, I could have made a name for myself in this cold, selfish world.I take my leave, sir.Since I have been treated as you have treated me, I am perfectly willing to go.But I have done my duty.Ihave fulfilled my contract as far as I was permitted to do it.I said Icould make your paper of interest to all classes--and I have.I said Icould run your circulation up to twenty thousand copies, and if I had had two more weeks I'd have done it.And I'd have given you the best class of readers that ever an agricultural paper had--not a farmer in it, nor a solitary individual who could tell a watermelon-tree from a peach-vine to save his life.You are the loser by this rupture, not me, Pie-plant.
Adios."
I then left.