书城公版Old Fritz and the New Era
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第4章

Even Alkmene suddenly raised her head as if something unusual were taking place, fixed her great eyes upon her master, jumping upon his knee, and resting her fore-paws lovingly upon his breast.

Frederick neither observed nor felt the movement of his favorite;his thoughts were absent from the present--absent from the earth!

They were wandering in the unknown future, with the spirits of those he longed to see again in the Elysian fields.

The wailing music of his flute expressed the lamentation of his soul, and his eyes filled with tears as he raised them to the bust of Voltaire, gazing at it with a look of pain until the melody was finished. Then abruptly turning, half unwillingly, half angrily, he returned the flute to the box, and stole away, covering his face with his hands, as if to hide his emotion from himself.

"Now we have finished with the dead, and the living claim our thoughts," sighed the king. "What an absurd thing is the human heart! It will never grow cold or old; always pretending to a spark of the fire which that shameful fellow Prometheus stole from the gods. What an absurdity! What have I, an old fellow, to do with the fire of Prometheus, when the fire of war will soon rage around me,"At this instant the door gently opened. "What do you want, Muller?

What do you poke your stupid face in here for?" said the king.

"Pardon me, your majesty," replied the footman, "the Baron von Arnim begs for an audience.""Bid him enter," commanded the king, sinking back in his old, faded velvet arm-chair. Resting his chin upon his staff, he signed to the baron, who stood bowing upon the threshold, to approach. "Well, Arnim, what is the matter? What papers have you there?""Sire," answered Baron von Arnim, "the contract of the French actors, which needs renewing, I have to lay before your majesty;also a paper, received yesterday, from Madame Mara; still another from the singer Conciliani, and a petition from four persons from the opera.""What stupid stuff!" growled the king, at the same time bestowing a caress upon Alkmene. "Commence with your report. Let us hear what those singers are now asking for.""The singer Conciliani has addressed a heart-breaking letter to your majesty, and prays for an increase of salary--that it is impossible for him to live upon three thousand dollars.""Ah! that is what is wanted?" cried the king, furious, and striking his staff upon the floor. "The fellow is mad; When he cannot live upon three thousand, he will not be able to live upon four. I want money for cannon. I cannot spend it for such nonsense. I am surprised, Von Arnim that you repeat such stuff to me.""Your majesty, it is my duty that I--"

"What! Your duty is not to flatter them. I pay them to give me pleasure, not presumption. Remember, once for all, do not flatter them. Conciliani will get no increase of salary. If he persists, let him go to the mischief! This is my decision.--Proceed! What is Madame Mara begging for?""Madame Mara constantly refuses to sing the airs which your majesty commanded to be introduced into the opera of 'Coriolanus.' She has taken the liberty to address you in writing; here is the letter, if your majesty will have the grace to read it.""By no means, sir, by no means!" cried the king; at the same instant catching the paper with his staff, he slung it like a shot arrow to the farthest corner of the room, to the great amusement of Alkmene, who, with a loud bark, sprang from her master's knee, and with a bound caught the strange bird, and tore it in pieces. "You are right, my pet," said the king, laughing, "you have written my answer with your nose to this arrogant person. Director, say to Madame Mara that I pay her to sing, not to write. She must sing both airs, or she may find herself at Spandau for her obstinacy, where her husband is, for the same reason. She can reflect, and judge for herself."The director could scarcely repress a sigh, foreboding the disagreeable scene that he would have to encounter with the proud and passionate singer. Timidly Von Arnim alluded to the four persons from the opera. "Who are these demoiselles, and what do they want?"asked the king.

"Sire," replied the Baron von Arnim, "they are the four persons who personate the role of court ladies and maids of honor to the queens and princesses. They beg your majesty to secure to them a fixed income.""Indeed! Go to my writing-table and bring paper and pencil; I will dictate a reply to them," said the king. "Now write, Von Arnim: 'To the four court ladies and maids of honor of the opera: You are mistaken in addressing yourselves to me; the affair of your salaries concerns YOUR emperors and kings. To them you must address yourselves.--Adieu.'"Von Arnim could scarcely repress a smile.