书城公版The Origins of Contemporary France
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第236章

But the agitators are already in permanent session. The Palais-Royal is an open-air club where, all day and even far into the night, one excites the other and urges on the crowd to blows. In this enclosure, protected by the privileges of the House of Orleans, the police dare not enter. Speech is free, and the public who avail themselves of this ******* seem purposely chosen to abuse it. --The public and the place are adapted to each other.[18] The Palais-Royal, the center of prostitution, of play, of idleness, and of pamphlets, attracts the whole of that uprooted population which floats about in a great city, and which, without occupation or home, lives only for curiosity or for pleasure -- the frequenters of the coffee-houses, the runners for gambling halls, adventurers, and social outcasts, the runaway children or forlorn hopefuls of literature, arts, and the bar, attorneys' clerks, students of the institutions of higher learning, the curious, loungers, strangers, and the occupants of furnished lodgings, these amounting, it is said, to forty thousand in Paris. They fill the garden and the galleries; "one would hardly find here one of what were called the "Six Bodies,"[19] a bourgeois settled down and occupied with his own affairs, a man whom business and family cares render serious and influential. There is no place here for industrious and orderly bees; it is the rendezvous of political and literary drones. They flock into it from every quarter of Paris, and the tumultuous, buzzing swarm covers the ground like an overturned hive. "Ten thousand people," writes Arthur Young,[20] "have been all this day in the Palais-Royal;" the press is so great that an apple thrown from a balcony on the moving floor of heads would not reach the ground. The condition of these heads may be imagined; they are emptier of ballast than any in France, the most inflated with speculative ideas, the most excitable and the most excited. In this pell-mell of improvised politicians no one knows who is speaking;nobody is responsible for what he says. Each is there as in the theater, unknown among the unknown, requiring sensational impressions and strong emotions, a prey to the contagion of the passions around him, borne along in the whirl of sounding phrases, of ready-made news, growing rumors, and other exaggerations by which fanatics keep outdoing each other. There are shouting, tears, applause, stamping and clapping, as at the performance of a tragedy;one or another individual becomes so inflamed and hoarse that he dies on the spot with fever and exhaustion. In vain has Arthur Young been accustomed to the tumult of political liberty; he is dumb-founded at what he sees.[21] According to him, the excitement is "incredible. . . . We think sometimes that Debrett's or Stockdale's shops at London are crowded; but they are mere deserts compared to Desenne's and some others here, in which one can scarcely squeeze from the door to the counter . . . .Every hour produces its pamphlet; 13 came out to-day, 16 yesterday, and 92 last week. 95% of these productions are in favor of liberty;" and by liberty is meant the extinction of privileges, numerical sovereignty, the application of the Contrat-Social, "The Republic", and even more besides, a universal leveling, permanent anarchy, and even the jacquerie. Camille Desmoulins, one of the orators, commonly there, announces it and urges it in precise terms:

"Now that the animal is in the trap, let him be battered to death... Never will the victors have a richer prey. Forty thousand palaces, mansions, and chateaux, two-fifth of the property of France, will be the recompense of valor. Those who pretend to be the conquerors will be conquered in turn. The nation shall be purged."Here, in advance, is the program of the Reign of Terror.

Now all this is not only read, but declaimed, amplified, and turned to practical account. In front of the coffee-houses "those who have stentorian lungs relieve each other every evening."[22] "They get up on a chair or a table, they read the strongest articles on current affairs, . .. . the eagerness with which they are heard, and the thunder of applause they receive for every sentiment of more than common hardiness or violence against the present Government, cannot easily be imagined." "Three days ago a child of four years, well taught and intelligent, was promenaded around the garden, in broad daylight, at least twenty times, borne on the shoulders of a street porter, crying out, 'Verdict of the French people: Polignac exiled one hundred leagues from Paris; Condé the same; Conti the same; Artois the same; the Queen, -- I dare not write it.'" A hall made of boards in the middle of the Palais-Royal is always full, especially of young men, who carry on their deliberations in parliamentary fashion : in the evening the president invites the spectators to come forward and sign motions passed during the day, and of which the originals are placed in the Café Foy.[23] They count on their fingers the enemies of the country; "and first two Royal Highnesses (Monsieur and the Count d'Artois), three Most Serene Highnesses (the Prince de Condé, Duc de Bourbon, and the Prince de Conti), one favorite (Madame de Polignac), MM. de Vandreuil, de la Trémoille, du Chatelet, de Villedeuil, de Barentin, de la Galaisière, Vidaud de la Tour, Berthier, Foulon, and also M.

Linguet." Placards are posted demanding the pillory on the Pont-Neuf for the Abbeé Maury. One speaker proposes "to burn the house of M.