书城公版Sketches of Young Couples
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第20章 THE COUPLE WHO CODDLE THEMSELVES(1)

Mrs. Merrywinkle's maiden name was Chopper. She was the only child of Mr. and Mrs. Chopper. Her father died when she was, as the play- books express it, 'yet an infant;' and so old Mrs. Chopper, when her daughter married, made the house of her son-in-law her home from that time henceforth, and set up her staff of rest with Mr. and Mrs. Merrywinkle.

Mr. and Mrs. Merrywinkle are a couple who coddle themselves; and the venerable Mrs. Chopper is an aider and abettor in the same.

Mr. Merrywinkle is a rather lean and long-necked gentleman, middle- aged and middle-sized, and usually troubled with a cold in the head. Mrs. Merrywinkle is a delicate-looking lady, with very light hair, and is exceedingly subject to the same unpleasant disorder. The venerable Mrs. Chopper - who is strictly entitled to the appellation, her daughter not being very young, otherwise than by courtesy, at the time of her marriage, which was some years ago - is a mysterious old lady who lurks behind a pair of spectacles, and is afflicted with a chronic disease, respecting which she has taken a vast deal of medical advice, and referred to a vast number of medical books, without meeting any definition of symptoms that at all suits her, or enables her to say, 'That's my complaint.' Indeed, the absence of authentic information upon the subject of this complaint would seem to be Mrs. Chopper's greatest ill, as in all other respects she is an uncommonly hale and hearty gentlewoman.

Both Mr. and Mrs. Chopper wear an extraordinary quantity of flannel, and have a habit of putting their feet in hot water to an unnatural extent. They likewise indulge in chamomile tea and such- like compounds, and rub themselves on the slightest provocation with camphorated spirits and other lotions applicable to mumps, sore-throat, rheumatism, or lumbago.

Mr. Merrywinkle's leaving home to go to business on a damp or wet morning is a very elaborate affair. He puts on wash-leather socks over hisstockings, and India-rubber shoes above his boots, and wears under his waistcoat a cuirass of hare-skin. Besides these precautions, he winds a thick shawl round his throat, and blocks up his mouth with a large silk handkerchief. Thus accoutred, and furnished besides with a great-coat and umbrella, he braves the dangers of the streets; travelling in severe weather at a gentle trot, the better to preserve the circulation, and bringing his mouth to the surface to take breath, but very seldom, and with the utmost caution. His office-door opened, he shoots past his clerk at the same pace, and diving into his own private room, closes the door, examines the window-fastenings, and gradually unrobes himself: hanging his pocket- handkerchief on the fender to air, and determining to write to the newspapers about the fog, which, he says, 'has really got to that pitch that it is quite unbearable.'

In this last opinion Mrs. Merrywinkle and her respected mother fully concur; for though not present, their thoughts and tongues are occupied with the same subject, which is their constant theme all day. If anybody happens to call, Mrs. Merrywinkle opines that they must assuredly be mad, and her first salutation is, 'Why, what in the name of goodness can bring you out in such weather? You know you MUST catch your death.' This assurance is corroborated by Mrs. Chopper, who adds, in further confirmation, a dismal legend concerning an individual of her acquaintance who, ****** a call under precisely parallel circumstances, and being then in the best health and spirits, expired in forty-eight hours afterwards, of a complication of inflammatory disorders. The visitor, rendered not altogether comfortable perhaps by this and other precedents, inquires very affectionately after Mr. Merrywinkle, but by so doing brings about no change of the subject; for Mr. Merrywinkle's name is inseparably connected with his complaints, and his complaints are inseparably connected with Mrs. Merrywinkle's; and when these are done with, Mrs. Chopper, who has been biding her time, cuts in with the chronic disorder - a subject upon which the amiable old lady never leaves off speaking until she is left alone, and very often not then.