And he drew the artist away with him. At this moment he was able to do so, for a fire ran in the blood of the young sculptor; a change had taken place in his soul; he felt a longing to tear from the old, the accustomed- to forget, if possible, his own individuality; and therefore it was that he followed Angelo.
In an out-of-the-way suburb of Rome lay a tavern much visited by artists. It was built on the ruins of some ancient baths. The great yellow citrons hung down among the dark shining leaves, and covered a part of the old reddish-yellow walls. The tavern consisted of a vaulted chamber, almost like a cavern, in the ruins. A lamp burned there before the picture of the Madonna. A great fire gleamed on the hearth, and roasting and boiling was going on there; without, under the citron trees and laurels, stood a few covered tables.
The two artists were received by their friends with shouts of welcome. Little was eaten, but much was drunk, and the spirits of the company rose. Songs were sung and ditties were played on the guitar; presently the Salterello sounded, and the merry dance began.
Two young Roman girls, who sat as models to the artists, took part in the dance and in the festivity. Two charming Bacchantes were they; certainly not Psyches- not delicate, beautiful roses, but fresh, hearty, glowing carnations.
How hot it was on that day! Even after sundown it was hot. There was fire in the blood, fire in every glance, fire everywhere. The air gleamed with gold and roses, and life seemed like gold and roses.
"At last you have joined us, for once," said his friends. "Now let yourself be carried by the waves within and around you."
"Never yet have I felt so well, so merry!" cried the young artist.
"You are right- you are all of you right. I was a fool- a dreamer. Man belongs to reality, and not to fancy."
With songs and with sounding guitars the young people returned that evening from the tavern, through the narrow streets; the two glowing carnations, daughters of the Campagna, went with them.
In Angelo's room, among a litter of colored sketches (studies) and glowing pictures, the voices sounded mellower, but not less merrily.
On the ground lay many a sketch that resembled the daughters of the
Campagna, in their fresh, hearty comeliness, but the two originals were far handsomer than their portraits. All the burners of the six-armed lamp flared and flamed; and the human flamed up from within, and appeared in the glare as if it were divine.
"Apollo! Jupiter! I feel myself raised to our heaven- to your glory! I feel as if the blossom of life were unfolding itself in my veins at this moment!"
Yes, the blossom unfolded itself, and then burst and fell, and an evil vapor arose from it, blinding the sight, leading astray the fancy; the firework of the senses went out, and it became dark.
He was again in his own room. There he sat down on his bed and collected his thoughts.
"Fie on thee!" these were the words that sounded out of his mouth from the depths of his heart. "Wretched man, go, begone!" And a deep painful sigh burst from his bosom.
"Away! begone!" These, her words, the words of the living
Psyche, echoed through his heart, escaped from his lips. He buried his head in the pillows, his thoughts grew confused, and he fell asleep.
In the morning dawn he started up, and collected his thoughts anew. What had happened? Had all the past been a dream? The visit to her, the feast at the tavern, the evening with the purple carnations of the Campagna? No, it was all real- a reality he had never before experienced.
In the purple air gleamed the bright Star, and its beams fell upon him and upon the marble Psyche. He trembled as he looked at that picture of immortality, and his glance seemed impure to him. He threw the cloth over the statue, and then touched it once more to unveil the form- but he was not able to look again at his own work.
Gloomy, quiet, absorbed in his own thoughts, he sat there through the long day; he heard nothing of what was going on around him, and no man guessed what was passing in this human soul.
And days and weeks went by, but the nights passed more slowly than the days. The flashing Star beheld him one morning as he rose, pale and trembling with fever, from his sad couch; then he stepped towards the statue, threw back the covering, took one long, sorrowful gaze at his work, and then, almost sinking beneath the burden, he dragged the statue out into the garden. In that place was an old dry well, now nothing but a hole. Into this he cast the Psyche, threw earth in above her, and covered up the spot with twigs and nettles.
"Away! begone!" Such was the short epitaph he spoke.
The Star beheld all this from the pink morning sky, and its beam
trembled upon two great tears upon the pale feverish cheeks of the young man; and soon it was said that he was sick unto death, and he lay stretched upon a bed of pain.
The convent Brother Ignatius visited him as a physician and a friend, and brought him words of comfort, of religion, and spoke to him of the peace and happiness of the church, of the sinfulness of man, of rest and mercy to be found in heaven.
And the words fell like warm sunbeams upon a teeming soil. The soil smoked and sent up clouds of mist, fantastic pictures, pictures in which there was reality; and from these floating islands he looked across at human life. He found it vanity and delusion- and vanity and delusion it had been to him. They told him that art was a sorcerer, betraying us to vanity and to earthly lusts; that we are false to ourselves, unfaithful to our friends, unfaithful towards
Heaven; and that the serpent was always repeating within us, "Eat, and thou shalt become as God."
And it appeared to him as if now, for the first time, he knew himself, and had found the way that leads to truth and to peace. In the church was the light and the brightness of God- in the monk's cell he should find the rest through which the tree of human life might grow on into eternity.