Having concealed myself for that purpose at the time I expected her, I got hold of her by surprise, and, half by persuasion, half by the rapidity of my attack, she was brought to a right position, and I
lost no time in engaging in action. But at the first movement of the connection a loud explosion somewhat cooled my ardour, the more so that the young girl covered her face with her hands as if she wished to hide her shame. However, encouraging her with a loving kiss, I
began again. But, a report, louder even than the first, strikes at the same moment my ear and my nose. I continue; a third, a fourth report, and, to make a long matter short, each movement gives an explosion with as much regularity as a conductor ****** the time for a piece of music!
This extraordinary phenomenon, the confusion of the poor girl, our position--everything, in fact, struck me as so comical, that I burst into the most immoderate laughter, which compelled me to give up the undertaking. Ashamed and confused, the young girl ran away, and I
did nothing to hinder her. After that she never had the courage to present herself before me. I remained seated on the stairs for a quarter of an hour after she had left me, amused at the funny character of a scene which even now excites my mirth. I suppose that the young girl was indebted for her virtue to that singular disease, and most likely, if it were common to all the fair ***, there would be fewer gallant women, unless we had different organs; for to pay for one moment of enjoyment at the expense both of the hearing and of the smell is to give too high a price.
Baletti, being in a hurry to reach Paris, where great preparations were being made for the birth of a Duke of Burgundy--for the duchess was near the time of her delivery--easily persuaded me to shorten my stay in Turin. We therefore left that city, and in five days we arrived at Lyons, where I stayed about a week.
Lyons is a very fine city in which at that time there were scarcely three or four noble houses opened to strangers; but, in compensation, there were more than a hundred hospitable ones belonging to merchants, manufacturers, and commission agents, amongst whom was to be found an excellent society remarkable for easy manners, politeness, frankness, and good style, without the absurd pride to be met with amongst the nobility in the provinces, with very few honourable exceptions. It is true that the standard of good manners is below that of Paris, but one soon gets accustomed to it. The wealth of Lyons arises from good taste and low prices, and Fashion is the goddess to whom that city owes its prosperity. Fashion alters every year, and the stuff, to which the fashion of the day gives a value equal, say to thirty, is the next year reduced to fifteen or twenty, and then it is sent to foreign countries where it is bought up as a novelty.
The manufacturers of Lyons give high salaries to designers of talent;
in that lies the secret of their success. Low prices come from Competition--a fruitful source of wealth, and a daughter of Liberty.
Therefore, a government wishing to establish on a firm basis the prosperity of trade must give commerce full liberty; only being careful to prevent the frauds which private interests, often wrongly understood, might invent at the expense of public and general interests. In fact, the government must hold the scales, and allow the citizens to load them as they please.
In Lyons I met the most famous courtezan of Venice. It was generally admitted that her equal had never been seen. Her name was Ancilla.
Every man who saw her coveted her, and she was so kindly disposed that she could not refuse her favours to anyone; for if all men loved her one after the other, she returned the compliment by loving them all at once, and with her pecuniary advantages were only a very secondary consideration.
Venice has always been blessed with courtezans more celebrated by their beauty than their wit. Those who were most famous in my younger days were Ancilla and another called Spina, both the daughters of gondoliers, and both killed very young by the excesses of a profession which, in their eyes, was a noble one. At the age of twenty-two, Ancilla turned a dancer and Spina became a singer.
Campioni, a celebrated Venetian dancer, imparted to the lovely Ancilla all the graces and the talents of which her physical perfections were susceptible, and married her. Spina had for her master a castrato who succeeded in ****** of her only a very ordinary singer, and in the absence of talent she was compelled, in order to get a living, to make the most of the beauty she had received from nature.
I shall have occasion to speak again of Ancilla before her death.
She was then in Lyons with her husband; they had just returned from England, where they had been greatly applauded at the Haymarket Theatre. She had stopped in Lyons only for her pleasure, and, the moment she shewed herself, she had at her feet the most brilliant young men of the town, who were the slaves of her slightest caprice.
Every day parties of pleasure, every evening magnificent suppers, and every night a great faro bank. The banker at the gaming table was a certain Don Joseph Marratti, the same man whom I had known in the Spanish army under the name of Don Pepe il Cadetto, and a few years afterwards assumed the name of Afflisio, and came to such a bad end.
That faro bank won in a few days three hundred thousand francs. In a capital that would not have been considered a large sum, but in a commercial and industrial city like Lyons it raised the alarm amongst the merchants, and the Ultramontanes thought of taking their leave.
It was in Lyons that a respectable individual, whose acquaintance I