`What does it mean? Who is he? How ought I to love him? If I don't know, it's my fault; either I'm stupid or a naughty boy,' thought the child.
And this was what caused his dubious, inquiring, sometimes hostile expression, and the shyness and uncertainty which Vronsky found so irksome. This child's presence always and infallibly called up in Vronsky that strange feeling of inexplicable loathing which he had experienced of late. This child's presence called up both in Vronsky and in Anna a feeling akin to the feeling of a sailor who sees by the compass that the direction in which he is swiftly moving is far from the right one, but that to arrest his motion is not in his power, that every instant is carrying him farther and farther away, and that to admit to himself his deviation from the right direction is tantamount to admitting his certain ruin.
This child, with his innocent outlook upon life, was the compass that showed them the point at which they had departed from what they knew, yet did not want to know.
This time Seriozha was not at home, and she was completely alone.
She was sitting on the terrace waiting for the return of her son, who had gone out for a stroll and had been caught in the rain. She had sent out a manservant and a maid to look for him, and was sitting here waiting for them. Dressed in a white gown, deeply embroidered, she was sitting in a corner of the terrace behind some flowers, and did not hear him. Bending her curly dark head, she pressed her forehead against a cool watering pot that stood on the parapet, and both her lovely hands, with the rings he knew so well, clasped the pot. The beauty of her whole figure, her head, her neck, her hands, struck Vronsky every time as something new and unexpected.
He stood still, gazing at her in ecstasy. But, directly he would have made a step to come nearer to her, she was aware of his presence, pushed away the watering pot, and turned her flushed face toward him.
`What's the matter? Are you unwell,' he said to her in French, going up to her. He would have run to her, but remembering that there might be outsiders, he looked round toward the balcony door, and reddened, as he always reddened, feeling that he had to be afraid and be on his guard.
`No, I'm quite well,' she said, getting up and squeezing his outstretched hand tightly. `I did not expect... thee.'
`My God! what cold hands!' he said.
`You startled me,' she said. `I'm alone, and expecting Seriozha;he's out for a walk; they'll come from this direction.'
But, in spite of her efforts to be calm, her lips were quivering.
`Forgive me for coming, but I couldn't pass the day without seeing you,' he went on, speaking French, as he always did, to avoid using the stiff Russian plural form, so impossibly frigid between them, and the dangerously intimate singular.
`Forgive - for what I'm so glad!'
`But you're ill or worried,' he went on, without letting go her hands and bending over her. `What were you thinking of?'
`Always of the same thing.' she said, with a smile.
She spoke the truth. If ever at any moment she had been asked what she was thinking of, she could have answered truly: Of the same thing, of her happiness and her unhappiness. She was thinking, just when he came upon her, of this: Why was it, she wondered, that to others, to Betsy for instance (she knew of her secret connection with Tushkevich), all this was so easy, while to her it was such torture? Today this thought gained special poignancy from certain other considerations. She asked him about the races. He answered her questions, and, seeing that she was agitated, trying to calm her, he began telling her in the ******st tone the details of his preparations for the races.
`Shall I tell him, or not?' she thought, looking into his calm, affable eyes. `He is so happy, so absorbed in his races that he won't understand as he should; he won't understand all the significance of this event to us.'
`But you haven't told me what you were thinking of when I came in,' he said, interrupting his narrative; `pray, tell me!'
She did not answer, and, bending her head a little, she looked inquiringly at him from under her brows, her eyes shining under their long lashes. Her hand shook as it played with a leaf she had picked. He saw it, and his face expressed that utter subjection, that slavish devotion, which had done so much to win her.
`I see something has happened. Do you suppose I can be at peace, knowing you have a trouble I am not sharing? Tell me, for God's sake!'
he repeated imploringly.
`Yes, I shan't be able to forgive him if he does not realize all the significance of it. Better not tell; why put him to the proof?' she thought, still staring at him in the same way, and feeling that her hand that held the leaf was trembling more and more.
`For God's sake!' he repeated, taking her hand.
`Shall I tell you?'
`Yes, yes, yes...'
`I am pregnant,' she said, softly and slowly.
The leaf in her hand shook more violently, but she did not take her eyes off him, watching how he would take it. He turned pale, would have said something, but stopped; he dropped her hand, and his head sank on his breast. `Yes, he realizes all the significance of the fact,' she thought, and gratefully she pressed his hand.
But she was mistaken in thinking he realized the significance of the news as she, a woman, realized it. On hearing it, he felt come upon him with tenfold intensity that strange feeling of loathing of someone.
But, at the same time, he realized that the turning point he had been longing for had come now; that it was impossible to go on concealing things from her husband, and it was inevitable in one way or another that they should soon put an end to their unnatural position. But, besides that, her emotion physically affected him in the same way. He looked at her with a look of submissive tenderness, kissed her hand, got up, and, in silence, paced up and down the terrace.