"Egad," said Leon, "but that's true. Elvira, that is true.""Of course it is," she replied. "Did you not know it?""My dear," answered Leon impressively, "I know nothing but what is agreeable. Even my knowledge of life is a work of art superiorly composed. But what are we to give them? It should be something appropriate."Visions of "Let dogs delight" passed through the undergraduate's mind; but it occurred to him that the poetry was English and that he did not know the air. Hence he contributed no suggestion.
"Something about our houselessness," said Elvira.
"I have it," cried Leon. And he broke forth into a song of Pierre Dupont's:-"Savez-vous ou gite, Mai, ce joli mois?"Elvira joined in; so did Stubbs, with a good ear and voice, but an imperfect acquaintance with the music. Leon and the guitar were equal to the situation. The actor dispensed his throat-notes with prodigality and enthusiasm; and, as he looked up to heaven in his heroic way, tossing the black ringlets, it seemed to him that the very stars contributed a dumb applause to his efforts, and the universe lent him its silence for a chorus. That is one of the best features of the heavenly bodies, that they belong to everybody in particular; and a man like Leon, a chronic Endymion who managed to get along without encouragement, is always the world's centre for himself.
He alone - and it is to be noted, he was the worst singer of the three - took the music seriously to heart, and judged the serenade from a high artistic point of view. Elvira, on the other hand, was preoccupied about their reception; and, as for Stubbs, he considered the whole affair in the light of a broad joke.
"Know you the lair of May, the lovely month?" went the three voices in the turnip-field.
The inhabitants were plainly fluttered; the light moved to and fro, strengthening in one window, paling in another; and then the door was thrown open, and a man in a blouse appeared on the threshold carrying a lamp. He was a powerful young fellow, with bewildered hair and beard, wearing his neck open; his blouse was stained with oil-colours in a harlequinesque disorder; and there was something rural in the droop and bagginess of his belted trousers.
From immediately behind him, and indeed over his shoulder, a woman's face looked out into the darkness; it was pale and a little weary, although still young; it wore a dwindling, disappearing prettiness, soon to be quite gone, and the expression was both gentle and sour, and reminded one faintly of the taste of certain drugs. For all that, it was not a face to dislike; when the prettiness had vanished, it seemed as if a certain pale beauty might step in to take its place; and as both the mildness and the asperity were characters of youth, it might be hoped that, with years, both would merge into a constant, brave, and not unkindly temper.
"What is all this?" cried the man.
CHAPTER VI
Leon had his hat in his hand at once. He came forward with his customary grace; it was a moment which would have earned him a round of cheering on the stage. Elvira and Stubbs advanced behind him, like a couple of Admetus's sheep following the god Apollo.
"Sir," said Leon, "the hour is unpardonably late, and our little serenade has the air of an impertinence. Believe me, sir, it is an appeal. Monsieur is an artist, I perceive. We are here three artists benighted and without shelter, one a woman - a delicate woman - in evening dress - in an interesting situation. This will not fail to touch the woman's heart of Madame, whom I perceive indistinctly behind Monsieur her husband, and whose face speaks eloquently of a well-regulated mind. Ah! Monsieur, Madame - one generous movement, and you make three people happy! Two or three hours beside your fire - I ask it of Monsieur in the name of Art -I ask it of Madame by the sanctity of womanhood."The two, as by a tacit consent, drew back from the door.
"Come in," said the man.
"Entrez, Madame," said the woman.
The door opened directly upon the kitchen of the house, which was to all appearance the only sitting-room. The furniture was both plain and scanty; but there were one or two landscapes on the wall handsomely framed, as if they had already visited the committee-rooms of an exhibition and been thence extruded. Leon walked up to the pictures and represented the part of a connoisseur before each in turn, with his usual dramatic insight and force. The master of the house, as if irresistibly attracted, followed him from canvas to canvas with the lamp. Elvira was led directly to the fire, where she proceeded to warm herself, while Stubbs stood in the middle of the floor and followed the proceedings of Leon with mild astonishment in his eyes.
"You should see them by daylight," said the artist.
"I promise myself that pleasure," said Leon. "You possess, sir, if you will permit me an observation, the art of composition to a T.""You are very good," returned the other. "But should you not draw nearer to the fire?""With all my heart," said Leon.
And the whole party was soon gathered at the table over a hasty and not an elegant cold supper, washed down with the least of small wines. Nobody liked the meal, but nobody complained; they put a good face upon it, one and all, and made a great clattering of knives and forks. To see Leon eating a single cold sausage was to see a triumph; by the time he had done he had got through as much pantomime as would have sufficed for a baron of beef, and he had the relaxed expression of the over-eaten.